One final thing to beware of when you use the TonePrint Editor, is that as you change TonePrints from the editor, it loads at a default setting that is not reflected by the physical position of the knob on the pedal. The tone prints are well thought out too I think. Fairly versatile, but with some limitations in my opinion. For a complex multi-band compression algorithm, there might be hundreds of parameters in play, of which many are being altered simultaneously as you tweak that one knob. It's super small, probably a third of the size of the other two pedals. This website is to serve as an informational source and does not collect fees or profits from its contents. If you wear headphones, this can cause some less-than-subtle surprises… However, it is not a criticism on the software design as such, because it does make sense that each TonePrint loads at a pre-defined default level, and once you load a new software setting, obviously, there would be no way for it to know the actual knob setting at that time until it receives some feedback from the knob itself.
These bass compression processors are usually used alongside other bass effects pedals, i. Generally, the output volume increases fairly evenly until the 50% mark, and from then on it actually decreases a bit. So much versatility at such a low cost. So in this particular case, the TonePrint concept and not least the editor was a lifesaver and I highly recommend that you check that out if you get this pedal. Alternatively, please feel free to use our accounts on social media such as Facebook or Twitter to get in touch.
This gives you access to studio-quality compression tones, in a stompbox so small that you can't afford not to have it on your board. Combine the pedals in a classical sequence or hook them up to the G-System; the choice is yours. Too bad the necessary usb cable was not provided. Transferring the tone I wanted was quick and easy, with it being so quick, I was even able to transfer in between songs, taking only a few seconds. Our expert team will guide you with gear reviews, lessons and advice to help make your guitar life a little easier and more enjoyable. In short, the benefits of the TonePrint concept heavily compensates for a few annoying, practical issues in the editing process. If you are not comfortable with that, I recommend that you try it out in a store and check if the default tone is right for you before buying.
A bit of additional cut-through-the-mix power. This is fine, but as I describe in my video, it can have consequences for bass players if we are trying to get a balance between energy hungry bass notes and delicate high frequency chords, harmonics or indeed, just clarity! So my assumption is that the noise which some perceive is amplified input noise. So a turn of a single knob can change a lot. Just turn it on and take charge of the groove. Although these processors can be used within a recording studio, they are usually not, since every studio will have rack-mountable compression units which provide ultra high-quality signal compression, suitable for most instruments. But I'd be interested to hear what guys who really know comp say about this one.
SpectraComp Bass Compressor is the tiniest big thing to hit the world of bass in a long time. But maybe you want to super-pimp your ice cream with cherries, chocolate sauce and sprinkles shaped like unicorns? I couldn't find it on YouTube If you only look inside, SpectraComp and HyperGravity are identical. The differences are on the outside: smaller size, just one knob, no fixed presets. The physical platform does support more knobs. What Does a Bass Compressor Pedal Do? While the control knobs have pretty basic and default compression functions, the combo of that switch and renowned TonePrint technology is what takes the Hyper Gravity to the next plateau. The Free Two-Day Shipping icon will appear next to the items that typically arrive in two days.
This ultra-compact and highly intuitive multiband compressor, is made to bring out all of the glorious low-end punch and presence of your beloved bass in the most transparent and musical way you've ever heard. Just download the appropriate TonePrint and away you go. The algorithm takes the actual thresholds and compression ratios and calculates tho gain from this to keep the 0dB-point fixed. Change one band from hard knee to soft knee? I think there might be a need for a dedicated TonePrint article someday soon that really delves into this brilliant concept. It really cannot get any easier or simpler than this. I set up a patch that bumped the low end by moving the crossover points of the low and mid compressors.
It has one knob, which determines the amount of the selected compression is applied. However, there is some variation to be found within each of the different TonePrints more about that in a bit , and the general volume actually varies quite a lot when loading new TonePrints. However, for some, this noise creates a depth to the sound and adds character. The first thing to note about the SpectraComp is that it's totally programmable. My personal experience with bass compressors is, as soon as you found the best setting for your tone, you never touch it again.
The more you crank it up, the tighter the groove. This is where TonePrint comes into play. Set it low for a subtle, but highly usable signal leveling, or crank it for tons of rhythm squash and endless solo sustain. The three-way switch allows great versatility, while the Blend control makes every single tonal configuration you dial in actually usable and quality sounding. I am really enjoying the extra sustain it brings to my sound but it does kill the dynamics and attack a bit.
As I said in a prior post, I'm a set it and forget it compression user and the allure of the small footprint and only 1 knob is too much for me to resist. Later, digital rack effect units became their core focus, and one of the most popular units was the Finalizer mastering machine that utilized multi-band compression. So… How versatile can a 1-knob pedal really be? So many options, so little time! You want to make that tone-sundae your own. The Empress was too much for me and I couldn't dial it in. Even without factoring in the low street price, this pedal is amazing once you open up the hood and start messing with the details in what is without doubt one of the finest digital compression engines out there. It's smooth, delicious and easy to love.